Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion   Related Paintings of WEYDEN, Rogier van der :. | The Last Judgment Polyptych | Braque Family Triptych | Deposition | Crucifixion Triptych | St Columba Altarpiece |
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Peter von Hess
(29 July 1792, Dseldorf - 4 April 1871, Menchen) was a German painter, known for historic paintings, especially of the Napoleonic Wars and the Greek War of Independence. Peter von Hess initially received training from his father Carl Ernst Christopher Hess. He accompanied his younger brother Heinrich Maria to Munich in 1806, and enrolled at the Munich Academy at the age of sixteenth. He also trained under Wilhelm von Kobell. During the Napoleonic Wars, he was allowed to join the staff of General Wrede, who commanded the Bavarians in the military operations which led to the abdication of Napoleon. There he gained novel experiences of war and a taste for extensive travel. During this time, von Hess painted his first battle pieces. In 1818 he spent some time in Italy where he painted landscapes and various Italian scenes. In 1833, at Ludwig's request, he accompanied Otto of Greece to the newly formed Kingdom of Greece, where at Athens he gathered materials for pictures of the war of liberation. The sketches which he then made were placed, forty in number, in the Pinakothek, after being copied in wax on a large scale by Nilsen, in the northern arcades of the Hofgarten at Munich. King Otho's entrance into Nauplia was the subject of a large and crowded canvas now in the Pinakothek, which Hess executed in person.
Robert Gabriel Gence
Paris vers 1670- Bayonne 1728
Anonymous
unknow artist